Since the 1920s, historical fiction writers in China have emancipated the genre from the traditional notion that (i)____________ was the ultimate goal of history writing. Yet the traditional commitment to (ii)____________ was not simply (iii)____________: this new genre was expected to capture the essence of historical truth even as it allowed space for the writer's imagination. A. comprehensiveness B. veracity C. jettisoned D. factuality E. thoroughness F. rationalized G. entertainment H. pleasure I. acknowledged