Many relatively obscure musicians admit to being (i)____________ the fact that the eminent jazz critic reviewed their work, yet he seemed to listen and to write (ii)____________, his appetite roving around seldom explored nooks of the repertoire, once the big names had been exhausted. Such inclusion, then, was more (iii)____________ than approbatory. A. skeptical of B. compulsively C. inevitable D. flattered by E. hesitantly F. fault finding G. unaware of H. with spontaneity I. conjectural