Logically, one might assume that the nostalgia in which Guzmán engages at times in his documentary about Chilean history would be (i)____________ critical reflection and thus leave the film intellectually flaccid. This conclusion would be (ii)____________, however, insofar as not all nostalgia necessarily results in a (iii)____________ of critical thought. A. a motive for B. hasty C. reappropriation D. a marker of E. dilatory F. distillation G. an impediment to H. warranted I. stagnation