The question of (i)____________ in photography has lately become nontrivial. Prices for vintage prints (those made by a photographer soon after he or she made the negative) so drastically (ii)____________ in the 1990s that one of these photographs might fetch a hundred times as much as a nonvintage print of the same image. It was perhaps only a matter of time before someone took advantage of the (iii)____________ to peddle newly created "vintage" prints for profit. A. forgery B. ballooned C. discrepancy D. influence E. weakened F. ambiguity G. style H. varied I. duplicity