It is highly significant that compared with fellow Renaissance artists Michelangelo and Raphael, Leonardo da Vinci was (i)____________ the ancient world, which many in the Renaissance viewed as a model of heroic behavior in art. To be sure, Leonardo was not (ii)____________ antiquity: a recently discovered drawing for a statue of Hercules sheds light on Leonardo's plan for a major work concerning that hero of ancient Greek mythology. But there was something in the Renaissance reverence for antiquity as a fixed value, as an ideal outside time, that (iii)____________ Leonardo's fascination with the immediate, the mutable, and the elusive. A. far less fascinated by B. indifferent to C. never quite accorded with D. not at all inspired by E. obsessed by F. provided the rationale for G. more slavishly devoted to H. uncritical towards I. served as the model for