Just because, as a photographer, Friedlander (i)____________ places that most people consider ugly does not mean that he is out to prove they are beautiful. Instead, his work suggests that the photographer simply cannot ignore so much of the built American landscape but is obligated to (ii)____________ what we pass through day in and day out, regardless of (iii)____________. A. tends to avoid B. document C. authenticity D. is harshly critical of E. emulate F. truthfulness G. is interested in H. discredit I. aesthetics