There is no point in combing through the director's work for hints of ideological significance. It is unnecessary: his ideology – Marxist, anti-imperialist, aligned with the perceived interests of the powerless and the marginal – is the (i)____________ of his films. The clarity and force of that ideology are considerable, but its (ii)____________ sometimes bothers critics, who often scold the director for lacking (iii)____________. A. hidden focus B. bluntness C. lucidity D. chief impetus E. obscurity F. subtlety G. murky lesson H. feebleness I. courage