The classical music critic suffers the double indignity of opining on a field that the layman mostly (i)____________: not only must he deal with the fact that the public tends to look (ii)____________ on critics but he must also risk coming across as (iii)____________ a subject in which few deign to show any interest. A. spurned B. askance C. deeply moved by D. embraces E. unduly F. dispassionate about G. misinterprets H. smugly I. condescending towards