The passage suggests that Landowska's playing embodied a rejection of which of the following? A. Emotionally resonant interpretations of musical works. B. An audience's complete silence during a performance. C. Performances of previously obscure Baroque works. D. The idea that a performer can correctly judge when not to hold the printed note sacrosanct. E. Performances emphasizing showy displays of technique that compromise the integrity of a composer's original score.