The notion of film producers as the ogres of the movie business has proved an (i)____________ one, but according to The Producers by Tim Adler, it is not always grounded in reality. Attacking what he calls the "auteur myth" – the idea of the director as the only purveyor of art in an industry otherwise peopled with (ii)____________ – he places at the heart of his book an image of the producer, not the director, as the primary (iii)____________ force in the development and production of a movie. A. accurate B. visionaries C. financial D. hypocritical E. profitmongers F. inertial G. enduring H. innocents I. creative