If the history of Duparc's artistic reputation were to follow that of the Le Nain brothers and Georges de La Tour, present-day assessments of her work would be likely to contain which of the following? A. An evaluation that accords high status to her work B. Acknowledgement of her technical expertise but dismissal of her subject matter as trivial C. Agreement with assessments made in her own time but acknowledgements of the exceptional quality of a few of her paintings D. Placement of her among the foremost artists of her century E. A reclassification of her work as portraiture rather than genre painting